Computers today function as personal environments and extensions of self—we inhabit and customize our computers, and their desktops are the reflecting pool of our digital lives. The digital archivist, therefore, has much to learn from techniques that model the computer as a physical environment replete with potential evidence…(Kirschenbaum, Ovenden, & Redwine, 2010, p. 7)
I’m six years late getting to this publication, but the parallels drawn between the processes involved in digital forensics and the work of digital archivists makes for fascinating reading. It’s a great example to me of how to keep looking outside your own backyard for novel and interesting strategies that can be made useful for organising, preserving, and providing access to information.
Something that really spoke to me was this:
Perhaps the strongest point we can make is to reinforce the distinction between tools and procedures…Technology is expensive, but methodology is free.
This paper also mentions a JISC/NIPO study (written by Seamus Ross and Ann Gow) from 1999, called Digital Archaeology: Rescuing Neglected and Damaged Data Resources, calling it the:
…starting place for any cultural heritage professional interested in matters of forensics, data recovery, and storage formats… Although more than a decade old, the report remains invaluable.
The Forensics Wiki has a wealth of information for anyone interested in dipping into this field – Ross & Gow cite this as a possible avenue for encouraging cross-disclipline collaboration and sharing of practitioner skills between forensics and the cultural heritage community.